I can't believe that another week has gone by without a new post.
Last week at the Singapore Writers Festival, I met several people whom I "met/knew" online. One of them is Sharon Bakar who writes about
books (and authors, and publishing events, and reviews, and interviews, among many other interesting stuffs related to the literary world) on her blog,
Bibliobibuli - Woman Battles Book Dependency Problem. So book lovers, head off to the bookaholic's
blog to share your views about books, and Second Life if you have one.
Another person I enjoyed meeting (a lot) is Wena Poon. Yes, she is the
author whose first book, Lions In Winter, was longlisted for the 2008 International Frank O'Connor Short Story Prize, nominated for the
Singapore Literature Prize and shortlisted for Popular Reader's Choice Award in Malaysia. The friendly and quick-witted writer was here to speak and launch her new books -
The Proper Care of Foxes, published by
Ethos Books, and
The Biophilia Omnibus, a collection of her first four literary science fiction/fantasy adventure works which she published through BookSurge. She brought in limited copies and I was very happy to get hold of one from BooksActually, the official bookstore for the festival. More of Wena, go to her website
www.wenapoon.com.
Jen Hamilton-Emery, director of
Salt Publishing (UK) who is responsible for the international edition of Wena's Lions in Winter, was also in town. She was one of the panelists for the publishing industry symposium to talk about poetry, short stories and translation. Jen was very very humble despite having the award winning authors as well as long- and short- listed titles with the publishing firm she run with her partner. Check out their
website and buy a book or two to support their
Just One Book campaign this Christmas.
At the symposium, I also met Tunku Halim, a Malaysian author based in Tasmania, who, like me, has a deep love for history. He had published several "dark fantasy" stories and a children's encyclopedia on History of Malaysia which was inspired by his late father and took him five years to put together. More information on this well researched book can be found on the author's
blog.
It was a pleasure meeting Mr Abdon M. Balse, Jr. (Jun), an award winning novelist and poet from the Philippines. During the symposium, he shared with me the problems of distributing books created by Asean writers and provided insightful information on reading and buying habits in Philippines. It was interesting to learn that books are delivered like pizzas over there! Thank you sir for your time and I too hope that there will be more opportunities to foster better understanding in the area of writing and distribution as well as to establish closer ties between writers, artists, publishers, distributors and booksellers in the two countries.
I attended Felix Cheong's launch for Sudden Youth, a collection of new and selected poems, published by
Ethos Books. Felix shared with us his journey as a poet and generously read us almost the whole book. He said this maybe his last poetry book and is working on short stories. I wish you well with whatever you are endeavouring next.
This year,
Neil Gaiman, the creator of Sandman, Coraline, Stardust, The Graveyard Book (which won this year's Newbery Award) along with picture books such as Blueberry Girl and The Day I Swapped My Dad with Two Gold Fish, was invited to give a series of talks/dialogs during the Singapore Writers Festival. I managed to get tickets to attend two of the three sessions - Little Lit! at the Arts House and Graphic Novels and Fantasy at the Victoria Theatre. And here's my account.
On Saturday, he talked about writing Coraline, his first novel for children which he started writing in 1991 for her daughters Holly and Maddy. After working on it on-and-off for the next few years, he finally completed the book in 1999 and have it released in 2000. On how kids react to horror story, he felt that children are better at taking scary stuff than adults. He compared Coraline to Hansel and Gretel, which he described as a tale of abandonment and starvation and mass murder. He reckoned that both stories are similar to some extend. So if children aren't afraid of the horrible things in such fairytales, then they will enjoy the chills that run down their spines as they read his story (as proven by Morgan, Gaiman's editor's son). I suppose afraid as they may be, they will also nevertheless be grateful that there is finally an author who refuses to patronise a young audience hungry for an absorbing horror tale.
During the second half of the session, he moved unto more adult stuff. He revealed enthusiastically about his new
China inspired project. I am utterly impressed for the fact that he had actually read several Chinese Classics including Dream of the Red Chamber (红楼梦), Outlaws of the Marsh (水许传), Journey to the West (西游记) and Romance of the Three Kingdom (三国演义). He was particularly fascinated by Tang San Zang (唐三藏) and his epic 10000 miles round trip to India to bring back to China the scriptures of Buddhist during the Sui and Tang Dynasty (A.D. 620, 7th century), which basically formed the story of the Journey to The West written by Wu Cheng'en (吴承恩) in the Ming Dynasty, 16th century of China.
Someone asked for his views about book sectioning at bookshops, working on Good Omens with Terry Pratchett whom he referred to as someone with very similar head, and on him releasing the beast in him through writing. He answered each question insightfully. On working with various media,
Gaiman hopes to conquer the stage in the future. He didn't talk much about The Graveyard Book but read a good whole chapter from it.
One hour was really short. So on Sunday, I went to listen to the man talked once more, with Hannah. This time,
Neil Gaiman, who was cladded again in black, made his appearance in front of 800 fans at the Victoria Theatre. After an introduction, he thanked everyone for "braving the long queue, braving heat and braving whatever mysterious secret messaging system that you know that tickets were available for getting in here". He talked about how "ok" he felt about turning 50 because he has had an amazing life, has written a lot of things he wanted to write, has raised a couple of really cool kids and has the world's coolest girlfriend (Amanda Palmer). He claimed that the only time he was afraid of the plane crashing down was in 1988 when he had to take 100 pages of Dave Mckean's original artworks for Black Orchid from UK to America. He said that he had to work very hard to keep the plane afloat with his mind throughout the entire journey.
The other thing that Gaiman seemed to enjoy talking about during both sessions was Singaporeans' crazy obsession with eating and food. Imagination ran wild with his really humorous theory about an unique viand called "stuffed authors - where you take a nice English author who spends a lot of time in America, about 50, feed him wonderful food until he's completely stuffed, and then slice him up and make him up into little pink packages." He also described Singaporeans as "very enthusiastic, but in a quiet, polite and very organised way" and made a terrible joke about Philippinos, which he quickly apologised.
He also chatted away gleefully, like the way a child talks about his first exotic pet, about his bees, on his mission to save the bee colony, and about how he got into bee-keeping and the second blue ribbon in the county fair that he and his bee-keeping team (Loraine and Birdchick) won for Extracted Honey and for Comb Honey. For him, that was the third best award ever. It beat a dozen of others literary prizes including the new 2010 Les Grands Prix de l’Imaginaire Award for translated short fiction of Des choses fragiles (Fragile Things, collection), he said. The top two are Newbery and Hugo.
Of course again, he told us about his new nonfiction project inspired by the
Chinese Legend Journey to the West (西游记) and bits about his day with Mr Liu Xiao Ling Tong (
六小龄童) - the Chinese actor who acted as Monkey King (I watched him on TV when I was 9 or 10, can't believe it was so long ago). He also commented that his new books will contain stories about his near impossible meeting with the fourth high-level monk and all the peculiar encounters he had during his various adventures in China including the one about a hawker trying to sell him a human elbow.
I am not surprise with what one can find and experience in a country with a history of over five thousand years. I personally discovered quite a bit online when doing my research for my book
Guai Wu The Chinese Elf. As for the subject of
Monkey King, in fact, two months ago Lak Khee, an illustrator-friend of mine who is currently based in France, and I had a discussion about this Chinese folktale character whom almost everyone knows.
And in my
Little Lit! talk at The Arts House in May, I mentioned, in connection to incorporating Asian elements to children's book,
Professor Ma WenHai, another illustrator-friend of mine, who created a series of children's books based on the tales of the monkey god for the American market. In his 4th, which is also the latest, book
Monkey King Defeats Red Boy (above), he had put my kids in as characters for his watercolour paintings. His books had been translated to other languages. That goes to show the popularity of this mythical character that most Chinese grew up with. So I look forward to read Gaiman's take on the legend.
Someone in the audience also ask him to talk a bit about his visit to the amazing Studio
Ghibli. He said, as he looked back, meeting Mr Hayao Miyazaki, the prominent Japanese filmmaker of many popular animated feature films including Totoro, Spirited Away and, most recently, Ponyo, and spending an afternoon in his studio was one of the best day ever for him. With regards to Totoro's appearance in the background of the illustrated version of Stardust, Neil's answer was that the idea was from the artist but he would have done that too if he had thought of that.
Despite being a rock-star in the
literary scene, Neil Gaiman is an amazingly open, unpretentious and down-to-earth person who take time for each one who patiently queue to meet him in person. He is also a very witty and incredibly charismatic storyteller. Hannah shook hand with him (nervously) and had her book signed. As for me, I am thankful to him for an opportunity to revisit my childhood memory through Sun WuKong, the curious and fearless monkey, whose dream to become immortal, brings to life a series of awe-inspiring adventures as the Great Sage Equal to Heaven who continuously creates havoc in the celestial world, had kept me amused and entertained when I was little, and still does even as adult.
If you like to hear from Gaiman himself, go to
www.razortv.com. There is a series of interesting interviews from the press conference that happened during his visit.
In one of the recordings, he talked about bribing a watchman to enter a closed down monkey amusement park that ended with seriously disturbing scenes of hell where sinful people were tortured. I can totally relate to the same terrifying experience he described about a young child who walked through the eldritch tunnels. The trip to Haw Par Villa with my parents when I was six or seven at that time had haunted me for years. After walking out of "18 levels of hell", I remember saying to myself that I want to find another religion (or change god) so that I can go to heaven. I later discovered that it is "possible" with the "western" god. Seek and ye shall find!
Ok. With that, I shall end my long post and thank the hardworking team at National Arts Council, The Arts House and the Singapore Books Publishing Association for organising such a wonderful festival.
I wish you (mummies and children) a good school break. My family and I will be taking an adventurous three weeks holiday in New Zealand. Can't wait to breathe the clean crisp air.
PS: Thanks to everyone who came to my book launch during the writers festival despite the rain.
Labels: Author, Children's Book, Chinese Culture, Journal, Literary Event, Ma WenHai. Neil Gaiman, Publishing, Singapore Writers Festival, Work
